www.nechvatal.net​

Education

Professional experience

Grants

1983	Caps Grant, Painting
1985	National Endowment for the Arts, Painting National Endowment for the Arts, Opera and Musical Theater Massachusetts Council of the Arts, Performance
1986	National Endowment for the Arts, InterArts Foundation for Contemporary Performance Arts, Inc.
1988	New York, NY Foundation for the Arts, Painting
1989	Pollock-Krasner Foundation Award
1991-1993	Artist-in-Residence, Arbois, France
1992-1993	Artist-in-Resident, Fondation Claude-Nicolas Ledoux's computer lab in Arc-et-Senans, France
1992	New York, NY Foundation for the Arts, Painting
1995	Artist-in Residence, Cite des Art Internationale, Paris
1996-1998	Research Fellowship,University of Wales, CAiiA, Newport, U. K.
1997	New York Foundation for the Arts: Computer Arts
2003	New York Foundation for the Arts: Computer Arts

Solo exhibitions (selected)

2014	Paris: 25 Years,Galerie Richard, Paris, FR The Real Estate Show,What Next, James Fuentes Gallery, New York, NY RESx, ABC No Rio, New York, USA 20ème anniversaire de l'IESA multimedia, Espace Pierre Cardin, Paris, FR
2013	NOISE, Esposizione Internazionale d’Arte La Biennale di Venezia – Eventi Collaterali, curated by Bruno Barsanti & Alessandro Carrer (based on J. Nechvatal book: Immersion Into Noise), Venice, IT (catalogue) XFR STN, The New Museum, New York, USA Oltre il sublime: Nuove frontiere della (de)figurazione estetica, Trieste Luisi S.P.A. ArtSpace, curated by Maria Campitelli & GianCarlo Pagliasso, Trieste, IT (catalogue) Machinarium, OI FUTURO, Rio de Janeiro, BR, curated by Claudia Tavares & Monic& Mansur Mouvements & Lumières, Centre d'art contemporain Frank Popper, Marcigny, FR It;s New It's Now, Minneapolis Institute of Art's, Minneapolis, Minnesota, USA Into the Light, Marjorie Barrick Museum, University of Nevada Las Vegas, Las Vegas, Nevada, USA
2012	Un point d’arrêt favorable au rejaillissement autour de Georges Bataille, Galerie Hors-Champs, Paris, FR One Year in New York, Galerie Richard, New York, USA Science Art 2: Non & Digital, Central House of Artists, Moscow, RU, Immersion Into Noise installation Shanghai Biennale, Power Station Contemporary Art Museum, Shanghai, CN, Immersion Into Noise presentation and workshop Desperately Seeking Susan, Kathleen Cullen Fine Arts, New York, USA Show Off foire, 4 rue des Filles du Calvaire, Curator: Dominique Moulon, Paris, FR
2011	A Show about Colab (and Related Activities) Printed Matter, New York, USA Art, Access & Decay: New York 1975-1985, Subliminal Projects, Los Angeles Looking at Music 3.0, (Tellus) MOMA, New York, USA Art Protects, Galerie Yvon Lambert, Paris, FR Pixxelpoint, Nova Gorica, SI Papay Gyro Nights 2011 Art Festival, Tredall, Papay Westray, Papay, Orkney   Faculty Selects, Fine Arts Gallery, Westchester Community College, Valhalla, NY, USA
2010	Parallel Threads, School of Visual Arts Gallery, New York, USA Electronic work in the Collection Frank Popper, Centre d'Art Contemporain Frank Popper, Marcigny, FR 2009    Art Protects, Galerie Yvon Lambert, Paris, FR Collection of Frank Popper, Centre d'Art Contemporain Frank Popper, Marcigny, FR Redux, Wm Turner Gallery, Atlanta, Georgia, USA Colab Show, 100 Church Street, New York, USA
2008	Beaux Arts: French Contemporary, Wm Turner Gallery, Atlanta, Georgia, USA Colab Reduxe, Brooke Alexander Gallery, New York, USA After The Net, Observatori, Valencia, ES (catalogue: Observatori 2008: After The Future, p. 80) ECAM 2008, The National Center for the Arts, Mexico City, MX Continuous Current, Westside Gallery, New York, USA
2007	The End(s) of Photography: Modeling the Photographic, McDonough Museum of Art, Youngstown, Ohio, USA Insatiable Streams, Beijing BS1 Contempoary Art Center, Caochangdi, CN iea: Ten Years of The Institute for Electronic Arts, BS1 Contemporary Art Center and Zero Field Art Center, Beijing, CN Sound Art in a Limo,in cooperation with the Armory Art Fair, curator Holly Crawford, NYC, USA AIDES,Yvon Lambert, Paris, FR
2006	The Downtown Show : The New York Art Scene 1974-1984, Grey Art Gallery. NYU, New York City, USA  Reshuffle, Center for Curatorial Studies Bard College, New York City, USA Copilandia, Gratis, Sevilla, ES Copilandia, Gratis, Sevilla, Spain, ES The Downtown Show : The New York Art Scene 1974-1984, Andy Warhol Museum, Pittsburgh Numeripop, Viral Counter Attack (with music2eye) St Brieuc, FR The Downtown Show : The New York Art Scene 1974-1984,Austin Museum of Art, Texas  Honest Echo, 2 X 13 Gallery, New York City Computer Fine Art Collection of Doron Golan, [DAM] Ausstellungsräume des Digital Art Museum, Berlin, DE Re:connect, Institute for Electronic Arts, Alfred, NY
2005	ElectroScape Shanghai Zendai Museum of Modern Art, Shanghai, CN 6eme carrefour de l'image de l'Océan Indien, Le Port. Ile de la Réunion Vintage East Village, Hal Bromm Gallery, New York
2004	Digital Sublime :Gwangju Biennale MOCA Taipei (catalogue) reprotech, New York Academy of Science, New York City (catalogue) Hyper-Runt: Anxiety and Malformation in the Techno Womb, Inliquid, Philadelphia Art In Motion, University of Southern California School of Fine Arts, L.A. Touch and Temperature, Bitforms Gallery, New York City trans>, Participant Inc, New York City Viral Counter Attack, Art Metz. Foire européenne d'Art Contemporain. Image-Mouvement, Metz FR (with music2eye) Digital Stories,[DAM] Ausstellungsräume des Digital Art Museum, Berlin, DE  Viral Counter Attack, Résidence à la Gaîté lyrique. Paris. France (with music2eye) East Village USA, New Museum, New York  (catalogue) Touch and Temperature, Deborah Colton Gallery, Houston Viral Counter Attack,  Festival Art-borescence 01  Paris. FR (with music2eye) Viral Counter Attack, Galerie RLBQ. Festival RIAM01. Marseille. FR (with music2eye)
2003	Synthetic Lightings: Complex Simulations of Nature, Center for Photography, Woodstock, NY Polarities, The Wall Street Journal Lobby Gallery, New York City (catalogue) FuturNET, Rome, IT NOTEBOOK, Artscape, Pinkard Gallery, Maryland Institute College of Art, Baltimore Peam2003, Pescara Italy (CD-Rom catalogue) THE SPIRITUAL IN DIGITAL ART, Evergreen Cultural Centre, Coquitlam, Canada Open For Action, The Center For Book Arts, New York, NY
2002	Post-Flesh, University Gallery, California State University, Sacramento, CA media_city seoul 2002, Seoul Museum of Art, Seoul, KR (catalogue) Ornamente  : 3 Positions of Conceptual Art, Galerie Berndt, Koln, DE NIGHT VISION, Illinois State University, Normal, Illinois (catalogue) Contaminaction, Jeune Creation, Paris, FR Reality Revisited, IN SITU, Aalst, Belgium (web catalogue http://www.eyewithwings.net/reality_revisited) Reality Revisited, Galerie Martin Kudlek, Koln, DE (web catalogue) NIGHT VISION, White Columns, New York City (catalogue) SPLIT FESTIVAL, Split, HR info@blah :: mining the data glut, iKatun, Boston
2001	LE PROJET VIRUS 2001, Mains D’Oeuvres, Paris, FR Cin-o-matic: Memory and Cinematic Perception, T he New Museum, New York City The Collector, Universal Concepts Unlimited Gallery, New York City 1.44 Megs, Moving Image Gallery, New York City The Graphic Art Biennial, Győr, HU
2000	R.E.D. - Remote Experience Dependency, UCU Gallery, New York City Noise: The Digital and the Discrete,Whipple Museum of the History of Science, Cambridge (catalogue, with essay by Bruno Latour) The Perpetual Well, Samuel Harn Museum of Art, Gainesville, Florida The Perpetual Well, Parrish Art Museum, Southhampton, NY Rounders, UCU Gallery, New York City polyALTERITY, UMF Art Gallery, Farmington, Maine (catalogue)
1999	Reflex: Matthias Groebel, Joseph Nechvatal & Endre Tót, Galerie Berndt, Koln, DE Digital Hybrids, McDonough Museum of Art, Youngstown, Ohio (catalogue) The Techo-Digital Sublime, Central Fine Arts, New York City MA(R)KING, Central Arts, Tuscon, curated by Elaine E. King (catalogue) Three Computer-related Artists, Galerie Berndt, Köln, DE  Links: Schilderkunst in Extremis? Kunstcentrum Sittard, Maastricht Diverse Dialogues, Aljira Center for Contemporary Art, Newark Old School, Life, New York City, curated by Carlo McCormick
1998	Body Mécanique, Wexner Center, Columbus Ohio (catalogue) Thundergulch: Computer Arts Fellows, NYC Technology Center  Chaos and Capacity, Central Fine Arts, Inc. NYC
1997	Art Fractal, Gallerie Ricard, Paris, FR (catalogue) Zoom (Fractal), Stae University of New York, NY, Purchase (catalogue)
1995	BLAST Bioinformatica, Kolnischer Kunstverein, Koln, DE (catalogue) BLAST, Galerie des Archives, Paris, FR (catalogue) Veered Science, Huntington Beach Art Center, California (catalogue) In Corpus Machina, Espace d'Art, Paris, FR BLAST Bioinfomatica, Javier Lopez Gallery, London, UK Reinventing The Emblem, Yale University Art Gallery (catalogue) Die Schnheit Der Fraktale, Galerie Karin Sachs, Munich, DE Transiti, Arx Art Gallery, Torino, IT (catalogue) Art Fractal: été,Galerie Angle Art Contemporain, St. Paul-Tro Château
1994	Excess in the Techno-Mediacratic Society, Shoshana Wayne Gallery, Santa Monica, Ca. (curated by Joseph Nechvatal) (catalogue) Art & Virus, Gallery Yaki Kornblit, Amsterdam, NL (catalogue) Tohu-Bohu, esthétiques de la complexité fractale, Galerie de l' etoile, Paris, FR (catalogue) Art & Virus, Galleria Del Ventaglio Contemporanea, Udine, IT (catalogue) Lo Specchio di Proteo, Perugia, Alessandria, IT (catalogue) Figures d'Origines, Chapelle Salpetriere, Paris, FR (catalogue)
1993	Computeruntersttzte Kunst, Kunstlerwerkstatt, Munich, DE (catalogue) L'Opera Al Femminile, Galleria Arx, Torino, IT Bodies, Atelier of Philip Pocock, Köln, DE Excess in the Techno-Mediacratic Society, Musee D'Arbois, FR (curated by Joseph Nechvatal) (catalogue) Excess in the Techno-Mediacratic Society,Galerie Krinzinger, Vienna, AT (curated by Joseph Nechvatal)  Erlebnis E Alterita, Galleria Marco Noire, Torino, IT (catalogue) Hiding / Revealing, Galerie In Situ, Aalst, BE La Fractalite Dans L'Art, Campus de La Doua, Villeurbanne, FR (catalogue) Mediale Hamburg (catalogue) Painting as Paradigm, Stark Gallery, New York, NY Procedures: Informatiques, Ecole Nationale Superieure des Beaux Arts, Paris, FR Presentation, NeuerAachenerKunstverein, Aachen, DE
1992	Ecstasy, Dooley Le Cappellaine, New York, NY L'Epreuve Numerique, Centre National de la Photographie, Paris, FR New York, NY Artists, Galerie Bernhard Steinmetz, Bonn, DE 10th Anniversary Visiting Artists Exhibition, Ewing Gallery, University of Tennessee at Knoxville Representation, Reproduction and Photography, Usdan Gallery, Bennington College, Bennington, VT
1991	Outside Ameirca: Going into the 90s, Fay Gold Gallery, Atlanta
1990	20th Anniversary Exhibition White Columns, New York, NY All Quiet on the Western Front, Galerie Antoine Candau, Paris (catalogue) Exchange of Information, New York, NY Telephone New York, NY Le Tableau des Riches Inventions, Picaron Editions, Amsterdam, NL The Unique Print: 70s into 90s, Lois & Michael Torf Gallery, Museum of Fine Arts, Boston
1989	Theater on Paper, The Drawing Center, New York, NY Once upon A Time There Was A Photograph, Barbara Gillman Gallery, Miami After Collapse: Rebuilding Expressive Media, State University, Amherst, Ma. Strange Attractors: Signs of Chaos, The New Museum of Contemporary Art, New York, NY (catalogue) Standplaats AKI, Akademie Voor Beeldende Kunst, Enschede, NL Moderne Kunst, Malmo Kunsthallen Brandts Klaedefabrik, Odense, Malmo SE Erotic America, (curated by Joseph Nechvatal) Galerie Antoine Candau, Paris, FR (catalogue)
1988	Art at the End of the Social, Rooseum, Malmo, SE (catalogue) New Visions of the Apocalypse, Museum of Art, Rhode Island School of Design, Providence (catalogue) New York, NY Now, Guthenberg Art Museum (traveled in Sweden and Finland) (catalogue) Perpetual Subversions, Bruno Facchetti, New York, NY Computer Assisted: The Computer in Contemporary Art Freedman Gallery, Albright College, Reading, Pa. Committed to Print, The Museum of Modern Art, New York, NY (catalogue)
1987	Chemical Field, De Zaak, Groningen Digital Visions: Computers and Art, Everson Museum of Art, Syracuse (catalogue) Digital Visions: Computers and Art, IBM Gallery NYC (catalogue) New Coordinates, Simard, Halm and Shee Gallery, Los Angeles Documenta 8, Kassel DE (catalogue) This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The John & Mable Ringling Museum of Art, Sarasota, Fl. (catalogue) This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, Akron Art Museum, Ohio (catalogue) This is not a Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The Chrysler Museum, Norfolk, Va. (catalogue)
1986	Drawings from the Collection of Dorothy and Herbert Vogel, University of Arkansas at Little Rock Drawings from the Collection of Dorothy and Herbert Vogel, University of Alabama Moody Gallery of Art  Drawings from the Collection of Dorothy and Herbert Vogel, Tuscaloosa Pennsylvania State University  Drawings from the Collection of Dorothy and Herbert Vogel, Palmer Museum of Art, University Park Il Cangiante, Padiglione d'Arte Contemporanea, Milano, IT Metabody, Hallwalls, Buffalo, NY (catalogue) Spiritual America, CEPA, Buffalo, NY Pay Attencion, Brandts Palchus Galleri, Copenhagen, DK Drawings, Piezo Electric, New York, NY Time after Time, Diane Brown Gallery, New York, NY Face It, Anders Tornberg Gallery, Lund, SE
1985	Infotainment,Texas Gallery, Houston (catalogue) Infotainment, Rhona Hoffman Gallery, Chicago (catalogue) Infotainment, Vanquard Gallery, Philadelphia (catalogue) Infotainment, Aspen Art Museum, Aspen Colo. (catalogue) Infotainment, De Selby Gallery, Amsterdam (catalogue) Infotainment, Galerie Montenay-Delsol, Paris (catalogue) Correspondences: New York, NY Art Now, Laforet Museum Harajuku, Tokyo (catalogue) Correspondences: New York, NY Art Now, Tochigi Prefectural Museum of Fine Arts, Utsunomiya Correspondences: New York, NY Art Now, Tagaki Hall Espace Media, Kobe (catalogue) Anniottanta Castel Sismondo, Palazzina Moster, Chiesa di Santa Maria ad Nives, Rimini, IT Anniottanta Castel Sismondo, Galleria Comunale d'Arte Moderna, Bologna, IT Whitney Biennial: Group Material, The Whitney Museum of American Art, New York, NY Memento Mori, Moore College of Art Gallery, Philadelphia (catalogue)
1984	Drawings, Paintings, and Sculpture, Brooke Alexander, New York, NY Smart Art: New Work from New York, NY, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Ma. (catalogue) Disarming Images: Art for Nuclear Disarmament, Contemporary Arts Center, Cincinnati (catalogue) (travelled to ten institutions in the United States) Via Satellite, Amerika-Haus, Cologne, DE (catalogue) Natural Genre, Fine Arts Gallery, School of Visual Arts, Florida State University (catalogue) The New Capital, White Columns, New York, NY (curated by Collins & Milazzo) Drawings by Contemporary Figurative Artists, Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore (catalogue) Humanism: An Undercurrent, University of South Florida, Tampa Romance and Catastrophe, Piezo Electric, New York, NY Contemporary Perspectives, Center Gallery, Bucknell University, Lewisburg, Pa. Motives, Albright-Know Art Gallery, Buffalo, NY (catalogue) New York, NY New: 26 Artists, Studio di Corrado Levi, Milano (catalogue) Dessins, Gillespie-Laage-Salamin, Paris, FR
1983	New York, NY,  Kunstmuseum, Aalborg, DK (catalogue) New York, NY, Randers Kunstmuseum (catalogue) Contemporary Drawings, Barbara Krakow, Boston Four New York, NY Artists, Jack Tilton Gallery, New York, NY Rotating Group Show, Paula Cooper Gallery, New York, NY Speed Trials, White Columns, New York, NY Joseph Nechvatal / Not Vital / Robin Weglinski, Gallery Nature Morte, New York, NY
1982	The Atomic Salon, Ronald Feldman Gallery, New York, NY
1981	The Positive Show, ABC No Rio, New York, NY New Drawings, The Drawing Center, New York, NY (catalogue)  The Doomsday Show, Artists Space, New York, NY The Monumental Art Show, Brooklyn, NY The Inauguration Show, ABC No Rio, New York, NY
1980	Colab : Collaborative Projects, Brooke Alexander, New York, NY Murder, Suicid &, Junk, ABC No Rio, New York, NY Artists for Survival, ABC No Rio,  The Times Square Show, Times Square, New York, NY

2015	3 pOstmOrtems  (for Dieter Roth), noise music performance at Art  Laboratory  Berlin, DE
2014	A three minute excerpt from viral symphOny was included on Master Cactus, a special edition issue cassette release curated by Gen Ken Montgomery Cassette
2013	Gen Ken Montgomery performed and recorded 3 pOstmOrtems (for Robert Rauschenberg) - an adaptation of the last movement from viral symphOny - as part of his Generator Sound Art exhibition held at Audio Visual Arts gallery (AVA) in New York City on October 3rd, 2013
2012	viral symphOny was re-mastered into 5.1 surround sound and presented as an immersive concert on April 12, 2012 at Harvestworks in New York City The complete viral symphOny was performed as the soundtrack to a digital art projection by Joseph Nechvatal (in collaboration with Stephane Sikora) on April 28, 2012 at Galerie Richard in New York
2010	The complete viral symphOny was Web published in 2010 as part of the W2F Festival Viral Concerto by Rhys Chatham (based on the viral symphOny) was performed at Galerie Richard (Paris) on September 26, 2010 The complete viral symphOny was performed as the soundtrack to a digital art projection by Joseph Nechvatal (in collaboration with Stephane Sikora) on September 26, 2010 at Galerie Richard in Paris viral symphOny performed in its entirety on web radio SYN France from September 30 to October 7th three times a day
2009	viral symphOny performed in its entirety at Diapason, Brooklyn, New York, Feb. 13th SoundLAB VI selected artist viral venus vibratOr web published at Soanyway: http://www.soanyway.org.uk/josephnechvatal.htm
2008	viral symphOny chosen as prize winner  at the 9th Festival Internacional de Investigación Artística de Valencia, After The Net, 5 – 29 June 2008, Valencia, Spain (catalogue: Observatori 2008: After The Future, p. 80) viral symphOny (28'09") and murmuring tOngue Of Ovid (20:53) web published at UbuWeb http://www.ubu.com/sound/nechvatal.html viral symphOny, CD produced by the IEA label
2000	~~~~~~~~~~~~~~~~~venus©-~Ñ~vibrator, even, CD with electronic musical background generated by David Myers,  produced  by David Myers @ www.generatorsoundart.org
1988	Tellus #20 Media Myth, Audio Cassette Magazine, curated by Joseph Nechvatal
1986	Tellus #13 Power Electronics, Tellus Audio Cassette Magazine, curated by Joseph Nechvatal Babbling Tongues of Metamorphosis, audiocassette produced by Sound of Pig Music
1985	True and False, audiocassette produced by XOX New York Radio Night, Joseph Nechvatal & Tron Von Hollywood, audiocassette produced by Sound of Pig Music, SOP 168        German Future - European Plan, audiocassette produced by Sound of Pig Music, SOP 277
1984	Reckless, audiocassette produced by Sound of Pig Music, SOP 217  Purge (One Continuous Loop), audiocassette produced by Sound of Pig Music, SOP 273
1983	Sleep, audio cassette produced by Sound of Pig Music SOP 14

2015	3 pOstmOrtems  (for Dieter Roth), noise music performance at Art  Laboratory  Berlin, DE
2010	viral symphOny: a-life live projection followed by viral cOncertO a musical collaboration with Rhys Chatham, Galerie Jean-Luc & Takako Richrad, Paris, September 26th
2002	Victoria High Quality reads ~~~~~~~~~~~~~~~~~venus©-~Ñ~vibrator, even, Universal Concepts Unlimited, NYC
1991	Dilation, performed by the ballerina Lauren Houser at the residence of Bil Ehrlich, New York, NY, USA
1989	The Man Who Believed He Could Move: A Celebration of the Bicentennial of the French Revolution, Collaboration with Yves Musard, Dia Art Foundation, New York, NY, USA
1987	Not a Door; A Spectacle, a collaboration between Scott B. Billingsley and Joseph Nechvatal, Hallwalls, Buffalo NY
1986	XS: The Opera, a collaboration with with Rhys Chatham, Shakespeare Theatre, Boston, USA
1985	The End of the Night, a video collaboration with with Rhys Chatham,  Los Angeles County Museum of Art XS: Night of Power, a collaboration with with Rhys Chatham, 8 BC, New York, NY XS: Night of Power, a collaboration with with Rhys Chatham, Quando, New York, NY
1984	XS: The Opera Opus, a collaboration with with Rhys Chatham, Pyramid Club,  New York, NY XS: The Opera Opus, a collaboration with with Rhys Chatham, Club Danceteria,  New York, NY XS: The Opera Opus, a collaboration with with Rhys Chatham, 8 BC Club,  New York, NY XS: The Opera Opus, a collaboration with with Rhys Chatham, Dannheisser Foundation, New York, NY
1983	Isle of Dread, Lower Manhattan Cultural Council, 71 Broadway and 120 Broadway, New York, NY Future V Installation, 93 Prince Street, New York, NY
1982	Blame it on the Brain Installation, Zippers Night Club, New York, NY
1981	Contemporary Psychedelia Installation, Club Inroads, New York, NY Free Speech on Broadway Performance, Performance with Carol Parkinson and Cid Collins, New York, NY
1978	European Art/Performance, with Carol Parkinson and Cid Collins, Tour Centre of Experimental Theatre, Antwerp European Art/Performance, with Carol Parkinson and Cid Collins, Ecole d'Architecture , Tournai European Art/Performance, with Carol Parkinson and Cid Collins, Theatre on the Rijn, Arnhem, The Netherlands

Nechvatal, J. 2014 onward: Collected critical art writings at Hyperallergic http://hyperallergic.com/author/joseph_nechvatal/
Nechvatal, J. 2014. (book/cd) (ed.) Minóy, Punctum Press & Punctum  Records. Brooklyn, New York & Austin, Texas
Nechvatal, J. 2011. (book), Immersion Into Noise, Open Humanities Press with University of Michigan. Ann Arbor, MIchigan
Nechvatal, J. 2009. (book), Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993-2006) Edgewise Press,  New York, NY 
Nechvatal, J. 2006, Jean Baudrillard and a Counter-Mannerist Art of Latent Excess, International Journal of Baudrillard Studies, Volume 3, Number 2 (July 2006).
Nechvatal, J. 2005, Immersive Excess in the Apse of Lascaux, Technoetic Arts 3:3, pp. 181-192
Nechvatal, J. 2004, Origins of Virtualism: An Interview with Frank Popper Conducted by Joseph Nechvatal  Spring 2004 issue of the CAA Art Journal pp. 62-77
Nechvatal, J. 2004, Frank Popper and Virtualised Art, Winter 2004 tema celeste magazine: issue #101, pp. 48-53
Nechvatal, J. 2003, Voluptuous Viractualism, in Simultaneita : New Media Arts Magazine, 01/2003, pp. 25-29
Nechvatal, J. 2003. Joseph Nechvatal, CD-rom produced by Music2eye at the MFA Computer Art Dept. at the School of Visual Arts
Nechvatal, J. 2002, Hotlist : The Esoteric Arts, Artforum Magazine
Nechvatal, J. 2001, Towards an Immersive Intelligence in Leonardo 9th New York Digital Salon special issue
Nechvatal, J. 2001, Artists and War : La beauté tragique: Mapping the Militarization of Spatial Cultural Consciousness in Leonardo 34.1 (2001) 27-29 and at: http://muse.jhu.edu/demo/len/34.1nechvatal.html#authbio
Nechvatal, J.  2001. La Beaute tragique: Olkowski, Deleuze, and the 'Ruin of Representation in _Film-Philosophy_, Deleuze Special Issue vol. 5 no. 36, November 2001 http://www.film-philosophy.com/vol5-2001/n36nechvatal
Nechvatal, J.  2000. Viractualiy Interview by Colin Goldberg. http://www.everbeta.net/txt/110900txtjnint.htm
Nechvatal, J.  2000. "Alterities: Interdisciplinarity and "Feminine" Practices of Space" at: http://www.mire.net/penelopes/pages/ntic/cyber/netchaval.htm
Nechvatal, J. 1999. Introduction to “Immersive Ideals/Critical Distances : A Study of the Affinity Between Artistic Idealogies Based in Virtual Reality and Previous Immersive Idioms” http://www.insead.fr/calt/Encyclopedia/ComputerSciences/VR/vr.htm
Nechvatal, J. 1999. Immersive Ideals/Critical Distances ; A Study of the Affinity Between Artistic Idealogies Based in Virtual Reality and Previous Immersive Idiom.  Newport : University of Wales College (PhD Thesis)

For a selection of art reviews written from 1993-2000 on other artists by Joseph Nechvatal - primarily for the web-site Rhizome http://www.zhizome.org - see:  http://www.dom.de/arts/artists/jnech/   under the publications link
Nechvatal, J. 1990a. Selected Writings. Paris: Editions Antoine Candau
Nechvatal, J. 1991a. An Ecstasy of Excess. Mönchengladbach: Juni-Verlag
Nechvatal, J. and Gagneur, D. eds. 1992. Excess in the Techno-mediacratic Society. Arbois: Musée d'Arbois
Nechvatal, J. 1983. "Epic Images and Contemporary History" In Real Life Magazine, No.11/12, Winter, 1983
Nechvatal, J. 1984. "Principles of Discord" In Unsound, Vol. 1, No. 2
Nechvatal, J. 1985. "Holding Out the Promise for Pure Regression" In New Observations, No. 28
Nechvatal, J. 1986. "State of the Art / Art of the State" In Spectacle, Fall Issue, 1986
Nechvatal, J. 1987a. "High Style" In Arts Magazine, April Issue 1987
Nechvatal, J. 1987b. "Post-Simulation Decadence" In Arts Magazine, Summer Issue, 1987
Nechvatal, J. 1987c. "Theoretical Statement Concerning Computer Robotic Paintings" In Documenta 8 Catalogue, Vol. 3
Nechvatal, J. 1987d. "A Prophylactic Discourse on Simulated Art" In Code, December Issue, 1987
Nechvatal, J. 1987e. "Simulation and Sublimation: The Law is for All" In Unsound, Vol. 3, No. 1
Nechvatal, J. 1988. "Reorganized Meditations on Mnemonic Threshold" In M/E/A/N/I/N/G  Contemporary Art Issues, No. 4, November, 1988
Nechvatal, J. 1989a. "Artistic Cynicism" In Art Criticism, Vol. 5, No. 3
Nechvatal, J. 1989b. "Cal Arts Lecture: An Excerpt" In Lund Art Press, Vol. 2
Nechvatal, J. 1989c. "Re-conceptualizing Drawing" In De Rijksakademie 08, pp. 12-13
Nechvatal, J. 1990b. "Hyper-death and the Scopic Corpse. In Artforum, November Issue, 1990, p. 130
Nechvatal, J. 1990c. "The Urge for Image and the Saturated Eye" on the Public DomaIn Web Site Perforations: http://www.pd.org
Nechvatal, J. 1990d. "Stealing from the Thief's Journal (Extraits traduits du Journal d'un Voleur)" Amsterdam: Picaron
Nechvatal, J. 1991b. "An Ecstasy of Excess" In Nechvatal, J. 1991. An Ecstasy of Excess. Mönchengladbach: Juni-Verlag, pp. 3-7
Nechvatal, J. 1991c. "The Artist and Familars" In Blast, Vol. 1, November /December, 1991
Nechvatal, J. 1991d. "The Collapse of the 80's Image" In M/E/A/N/I/N/G  Contemporary Art Issues, May Issue
Nechvatal, J. 1992a. "Outrances dans la Societe Techno-mediacratic" In Nechvatal, J. and Gagneur, D. 1992. Excess in the Techno-mediacratic Society. Arbois: Musée d'Arbois, p. 1
Nechvatal, J. 1992b. "Innovations in Image Technology" In M/E/A/N/I/N/G Contemporary Art Issues, No. 11, pp. 38-40
Nechvatal, J. 1993a. "Introduction to The Art of Excess in the Techno-mediacratic Society" In New Observationss, No. 94
Nechvatal, J. 1993b. "The Art of Excess in the Techno-mediacratic Society" In New Observations, No. 94
Nechvatal, J. 1993c. "The Computer and Conceptual Painting" In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 29-32
Nechvatal, J. 1994. "New Territory of Significance" In New Observations, No. 104 
Nechvatal, J. 1997a. "Immersive Implications" In Ascott, R. ed. 1997. Consciousness Reframed: Conference Proceedings. Newport: CAiiA/University of Wales College
Nechvatal, J. 1997b. "Sex/MachIne/Art: From Mechanical Repetition to Electronic Flicker" In Intelligent Agent: Interactive Media In Arts and Education Fall Issue, pp. 74-79
Nechvatal, J. 1997c. "Computer Cynicism II" In Intelligent Agent: Interactive Media In Arts and Education Vo. 1, No. 12, pp. 155 and 165-166
Nechvatal, J. 1997d. "Artists and Familiars" In Ke-thar'sis Summer Issue, pp. 3-7
Nechvatal, J. 1997e. "Immersive Implications" In New Observations, No. 116, Fall 1997, pp.46-47 
Nechvatal, J. 1998. "Computer Cynicism" Perforations 13, http://www.pd.org/topos/perforations/perf13/compcyn.html 
Nechvatal, J., 1999a. "Frame and Excess" on Perforations 19, http://www.MacWeb3D.org/
Nechvatal, J., 1999b. "Henri Michaux's Mescaline Engendered Drawings (and their viral diagrammatic relevance to war)" on Perforations 20, LAST STORIES http://http://www.pd.org/perforations/perf-topics.html
Nechvatal, J., 2000a.“La beauté tragique: Mapping the Militarization of Spatial Cultural Consciousness”, Leonardo, Winter
Nechvatal, J., 2000b. “Henri Michaux's Mescaline Engendered Drawings (and their diagrammatic relevance to RHIZOME's "STARRYNIGHT" programming)”. Zing Magazine, Winter Edition

2015	GianCarlo Pagliasso, Il deficit estetico nell'arte contemporanea. Un'analisi critica della forma-merce figurativa nel XXI secolo, Marcovalerio (collana Saggi) p.108
2014	Charlene Spretnak, The Spiritual Dynamic in Modern Art : Art History Reconsidered, 1800 to the Present, Palgrave Macmillan, p. 135, image #13 Marie-Laure Ryan, Lori Emerson, and Benjamin J. Robertson (eds), The Johns Hopkins Guide to Digital Media, Johns Hopkins University Press, p.501 GianCarlo Pagliasso, Cosmo e Virus: Joseph Nechvatal a Parigi, Zeta rivista internationale de poesia e ricerche, December 2014, page 3 (full page with 3 reproductions)
2013	Richard Milazzo, Introduction, Peter Halley, Selected Essays 1981-2001, Edgewise Press, N.Y, 2013, pp. 34-35 Patrick Lichty, Variant Analyses: Interrogations of New Media Art and Culture, Amsterdam, pp. 5, 83, 166
2012	Michael Bird, 100 Ideas that Changed Art, Laurence King Publishing Limited. 2012, pp. 198-199, reproduction of the painting Orgiastic abattOir : flawless ignudiO  Douglas Dreishpoon, Louis Grachos & Heather Pesanti,, Decade: Contemporary Collecting 2002-2012, Albright-Knox Art Gallery, Buffalo, New York, 2012, p. 382, reproduction of two drawings from 1984 Thomas Bey William Bailey, Unofficial Release: Self-Released And Handmade Audio In Post-Industrial Society, Belsona Books Ltd., pp. 88-89, 2012 GianCarlo Pagliasso, nOise anusmOs, Verso #81 (Traduit de l'italien par Gérard-Georges Lemaire)
2011	Dominique Moulon, Art contemporain nouveaux médias, éditions Scala, 2011, p. 108 Gwen Allen, Artists' Magazines: An Alternative Space for Art', The MIT Press, 2011, p. 304
2010	Manuela de Barros, Noisy Viral Threat : Joseph Nechvatal: Review of Art rétinal revisité: histoire de l’oeil Published in Digitalarti Mag #4 October 2010
2009	Edward A. Shanken, Art and Electronic Media. London: Phaidon,  pp. 42, 285, 160 Corrado Levi, È andata così: Cronaca e critica dell'arte 1970-2008, Joseph Nechvatal intervistato nel suo studio a New York (1985-86), pp. 130-135
2008	Marie-Paule Nègre, Des artistes en leur monde, volume 2, la Gazette de l'Hotel Drout, pp. 82–83 John Johnston, The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI, MIT Press, cover The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, pp. 191 & 227
2007	Ebon Fisher, Wigglism, Leonardo, Vol. 40, Number I,  p 40, color image p. 43 Dominique Moulon, Conférence Report : Media Art in France, Un Point d'Actu, L'Art Numerique, pp. 124–125
2006	Frank Popper, From Technological to Virtual Art, MIT Press, pp. 120-123 Bruce Wands, Art in the Digital Age, Thames & Hudson Ltd, p. 65 Brandon Taylor, , Thames & Hudson Ltd, p. 221 Donald Kuspit, Arte Digital y Videoarte, Circulo de Bellas Artes Madrid, p. 33-35, color illustrations 2,3& 4 Dennis Michael Jon & Kristin Makholm, Vermillion Editions Limited: A History and Catalogue 1977-1992, pp. 186-187, illustrations of Nechvatal prints The Sex Prayers (1985) p. 86 & Push (1985-93) p. 87, Minneapolis Institute of Arts Maximillien de Lafayette,United States and the World Face to Face: America's Best and Worst
2005	Joline Blais & Jon Ippolito, The Edge of Art,Thames & Hudson Ltd, p. 213 Mario Costa, Phenomenology of New Tech Arts, Artmedia, Salerno, p. 6 & pp. 36 – 38 Ken Reingold, Interactive Electronics for Artists and Inventors Donald Kuspit, The Matrix of Sensations, artnet web magazine, http://www.artnet.com/magazineus/features/kuspit/kuspit8-5-05.asp
2004	Christine Buci-Glucksmann, L’art à l’époque virtuel, in Frontières esthétiques de l’art, Arts 8, Paris: L’Harmattan Henri-François Debailleux, Peinture. Les travaux de Joseph Nechvatal exposésà Paris, 27 octobre 2004, Liberation  Brandon Taylor on Joseph Nechvatal in the book Collage, Thames & Hudson Ltd, p. 221 Dominique Moulon, L'art numerique: spectateur-acteuret vie artificielle, Les images numeriques #47-48, pp. 124–125 John Reed  “Joseph Nechvatal” Artforum Web 3-2004 Critc’s Picks Alan Liu on Joseph Nechvatal in the book The Laws of Cool, Chicago Press, pp. 331-336 & 485-486 Évelyne Rogue “Interview with Joseph Nechvatal” artcogitans.com Évelyne Rogue “Monographie sur CD de Joseph Nechvatal” http://www.artcogitans.com/Fr./Actus/E.Rogue.CD.J.Nechvatal.doc.pdf Suzanne Anker on Joseph Nechvatal in “reprotech” catalogue
2003	Joe Lewis “vOluptuary: an algorithmic hermaphornology” March issue Art in America Christiane Paul on Joseph Nechvatal in Digital Art (Thames & Hudson) 2003, pp. 57-58 Rachel Greene on Joseph Nechvatal March 26th www.rhizome.org David M. Roth ‘Postfesh’ Artweek April 2003  Sarah Maline on Joseph Nechvatal in “ polyALTERITY” UMF catalogue
2002	Robert C. Morgan “vOluptuary: an algorithic hermaphornology”  Tema Celeste Magazine #93  (page 94) Fall Ken Johnson on Joseph Nechvatal, New York Times Barbara Weidle “Computer paintings” artnet.com
2001	Nanette Wylde Regarding a Digital Aesthetic: Speculation in Context Kevin Haas on Joseph Nechvatal at http://www.accumulated.org/sgc.html Margot Lovejoy on Joseph Nechvatal in "Postmodern Currents: Art and Artists in the Age of Electronic Media", Prentice Hall Press Ellen Levy on Joseph Nechvatal  in “Responses”, Art Journal Spring 2001
2000	Robert C. Morgan. “Joseph Nechvatal at Universal Concepts Unlimited “,NY Arts Magazine, December Issue, p.69 David Ebony, “Joseph Nechvatal at Universal Concepts Unlimited”, Artnet Magazine - http://www.artnet.com/Magazine/reviews/ebony/ebony(3)11-22-00.asp Joy Garnett, “Newsgrist's Top 3: Nechvatal, Held, Ritchie”, Newsgrist, Volume 1, no. 51  (2000) Robert C. Morgan, “Digital Hybrids”, pp. 75-76, in Art Press #255 (March)
1999	John Johnston, "Machinic Vision", p.39, in Critical Inquiry, Vol. 26, No. 1 Richard Krueger, Digital Hybrids Catalogue,  p. 5,Youngstown Paul D. Miller, The Techno-Digita Sublime, Artbyte, Sept/Oct
1996	Wayne Enstice & Melody Peters, Drawing: Space, Form, & Expression, New Jersy: Prentice Hall, pp.312-313 Jay Murphy, "Joseph Nechvatal", Galeries Magazine staff, "Bilder Zwischen Kulturwert und Schaulust" Kunstmarket Koln staff, "Joseph Nechvatal: Computervirussen", Aalst Press
1995	staff, "Art Enters The Digital Age", Art News, Sept/Oct  staff, "Joseph Nechvatal's Virus Developement", Cause Toujours #2, Mai staff, "Joseph Nechvatal", CD-Media, Juin  Cécile Ambert, "Virus Project", Nov Art, Juin, Annick Hémery, Le Clone Du Trim, Joseph Nechvatal, Clone Mai, staff. "Joseph Nechvatal", Liberation (March 24) Picard, Gilles-Francois "Les Mysteres de l'art Fractal", La Gazette No II (17 Mars)
1994	staff. "Computer Virus Project", Bomb (Winter) staff, "Joseph Nechvatal", Gazet Van Antwerpen staff, "Joseph Nechvatal; Computerbilder", Kunst Munich Annik Hémery, “Joseph Nechvatal sur les traces de Pasteur” http://www.imaginet.fr/clone/nechvat.htm
1993	Morgan, Robert C. “Nechvatal’s Visionary Computer Virus” In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 8-15 staff. "Digital Diseases", Details (November) staff. "Joseph Nechvatal, l'art sur ordinateur", Le Progress (August) Conde, Susan "La Fractalite dans l'Art" (June) Morgan, Robert C. "Joseph Nechvatal: Lamentations of the Soul" After the Deluge book) Pagel, David "Techno Domination", Los Angeles Times (September) Gruson, L. “A Case of Contamination” In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 6-7
1992	Andre, Michael "Joseph Nechvatal", Cover (April)     Hagen, Charles  "A Show of Five Artists Who Use the Look of Photo Reproduction", The New York, NY Times (May 18) Pocock, Philip "Interview with Joseph Nechvatal", Journal of Contemporary Art (Fall) Crockett, Tobey "I, Robot", Village View (March 1-7) Frank, Peter "Art Pick of the Week", LA Weekly (March 22-28) Mennetrier, J.L. "Joseph Nechvatal nouveau ' locataire' de la residence d'artiste", La Voit du Jura (September) Tonkinson, Carole "Footloose", Elle Magazine (May)
1990	Amine, Patrick "Joseph Nechvatal, Galerie Antoine Candau", Art Press Borum, Jenifer P. "Joseph Nechvatal", Artforum (October) Cyphers, Peggy "Joseph Nechvatal", Arts (September) Engelhorn, Patrizia "Landspace of Points", Prinz Magazine (November) Groome, Carle VP. "Ex Statis by Joseph Nechvatal", Ear (October) Pallentin, Christian "Kunst", Siam (December) Steinlechner, Carin "Joseph Nechvatal", Donnerstag (October)
1989	staff "Joseph Nechvatal", Los Angeles Times (March 10) Collins,Tricia & Milazzo, Richard "Hyperframes: A Post-Appropriation Discourse", Vol 1 Ehinger, Asa "Joseph malar med dator", Sydsvenskan, Lund Frank, Peter "Pick of the Week", LA Weekly (April 7-13) French, David "Joseph Nechvatal", Artscene (March) Geer, Suvan "Joseph Nechvatal", L. A. Times, (December 15) Lovejoy, Margot "Postmodern Currents : Art and Artists in the Age of  Electronic Media", UMI Research Kandel, Susan "Joseph Nechvatal", Arts (Summer) Marks, Ben "A Technology Under Control", Artweek (March)
1988	Bromberg, Craig "The Collaborative Itch", ArtNews (November) McCormick, Carlo "Joseph Nechvatal", Artforum (March) Miller, John "Joseph Nechvatal", Artscribe (Summer) Morgan, Robert C. "Joseph Nechvatal", Arts (March) Sem-Sandberg, Steve "Vart Visuella Kaos" (Our Visual Chaos) Svenska Dagladet (December 2) Smith, Lawrence R.- and Hagley, Doug "An Interview with Joseph Nechvatal", Caliban 5 Zellen, Jody "Joseph Nechvatal at Shoshana Wayne", Art Issues (Summer)
1987	Hoog, Eckhard "Im Dschungel der Bilder Joseph Nechvatal im Aachener  Kunstverein", Aachener Volkszeitung (May 22) Levi, Corrado "Joseph Nechvatal", Cover (February) Lottmann, Joachim "Documenta-Eindr¸cke von der Erˆffnung" Wolkenkratzer Art Journal (summer) Malsch, Friedemann "Joseph Nechvatal Galerie Anna Friebe" Kunstforum (January) Siffrin-Peters, Annette. Gewirr aus feinen Linien. Documenta-Teilnehmer Joseph Nechvatal vorab in Aachen zu sehen, Aachener Nachrichten (May 22)
1986	Collins, Tricia and Milazzo, Richard "New York, NY: Tropical Codes", Kunstforum (March) Collins, Tricia and Milazzo, Richard "Joseph Nechvatal: Grace Under Pressure", Differentia (Fall) McCormick, Carlo " Joseph Nechvatal", Unsound Magazine (Vol.3 No.1) Larson, Kay "The Flash of Truth", New York, NY Magazine" (October 27) Levin, Kim "Artwalk", Village Voice (October 21) Levin, Kim "Joseph Nechvatal" The Village Voice (October 14) Morlung, Ursula "Pollock als Vorbild: Joseph Nechvatal in der Galerie Anna Friebe", Külner Stadt (October 24) Raab, Jörgen "Humanisierung der Technik: Joseph Nechvatal bei Anna Friebe", Külner Illustrierte (November)
1985	Collins, Tricia and Milazzo, Richard "The New Sleep: Stasis and the Image-Bound Environment", Art Journal (Fall) Crary, Jonathan "Joseph Nechvatal at Brooke Alexander",Art in America (January) 1985    Moore, Alan and Miler, Marc "ABC No Rio Dinero: The Story of a Lower East Side Art Gallery", Published by ABC No Rio with Collaborative Projects Inc. New York, NY Pincus-Witten, Robert "The New Irascibles", Arts (September) Raynor, Vivian "Joseph Nechvatal", The New York, NY Times (October 18)
1984	Brooks, Rosetta "Interview-Rhys Chatham & Joseph Nechvatal", ZG, (#12 Fall) Cotter, Holland "Joseph Nechvatal", Arts (November) Deak, Edit "The Critic Sees through the Cabbage Patch", Artforum, (April) Fisher, Jean "Joseph Nechvatal", Artforum, (January) Glueck, Grace "Joseph Nechvatal", The New York, NY Times (September 21) Jones, Ronald "Joseph Nechvatal", Arts (December) Kleyn, Robert "The Shadow Reflected", ZG (#12 Fall) Kleyn, Robert "Protective Mimicry", Vanquard (March) Kuspit, Donald "Joseph Nechvatal", Artforum (December) Masheck, Joseph Smart Art, Published by Willis, Locker & Owens, New York, NY Robinson, Walter and McCormick, Carlo "Slouching Toward Avenue D", Art in America (Summer)
1983	Fine, Kimberly "Joseph Nechvatal East Village Eye (October15) Levin, Kim " Shock of the Old", Village Voice (September 27) Levin, Kim "Joseph Nechvatal / Not Vital / Robin Weglinski", The Village Voice (May 17) McCormick, Carlo "Joseph Nechvatal", New York, NY Beat (December)
1982	Lawson, Thomas "Joseph Nechvatal (The Kitchen)", Artforum (April) Raynor, Vivian "The Automatic Salon", The New York, NY Times (June 18) Russell, John "Inaugural Show-Jack Tilton Gallery", The New York, NY Times (October 7)

The Museum of Modern Art, New York, NY, USA
Los Angeles County Museum of Art, Los Angeles, USA
Museum of Contemporary Art, Los Angeles, USA
Israel Museum, Jerusalem, Israel
Jubitz Center for Modern and Contemporary Art, Portland Art Museum, Portland, Oregon
artothek: Raum für junge Kunst, Köln, Germany
The Schyl Foundation, Malmo Konsthall, Sweden
The Jewish Museum, New York, NY, USA
Moderna Muset, Stockholm, Sweden
New Mexico Museum of Art, Museum of New Mexico, Santee Fe, New Mexico, USA
Albright-Knox Art Gallery, Buffalo, New York, USA
Musee Leon Dierx, La Reunion, France
Frac Franche-Comte, France
Museum of Art, Rhode Island School of Design, Providence, Rhode Island, USA
Saline Royale, Arc-et-Senans, France
Saint Louis Art Museum, St. Louis, Missouri, USA
Musee de Dole, Dole, France
Portland Museum of Art, Portland, Maine, USA
Rose Goldsen Archive of New Media Art at Cornell University, Ithaca, NY, USA
Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, USA
Weatherspoon Art Gallery, University of North Carolina, Greensboro, USA
The Municipal Museum of Art, Györ, Hungary
Robert Shiffler Foundation, Greenville Ohio, USA
The Minneapolis Institute of Arts, Minneapolis, USA
Malmö Konsthall, Sweden
University of Michigan Museum of Art, Ann Arbor, Michigan, USA
University of Alaska Museum of the North, Fairbanks, Alaska, USA
Honolulu Academy of Arts, Honolulu, Hawaii, USA
Cedar Rapids Museum of Art, Cedar Rapids, Iowa, USA
Spencer Museum of Art, The University of Kansas, Lawrence, Kansas, USA
Academy Art Museum, Easton, Maryland, USA
Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota, USA
Columbia Museum of Art, Columbia, South Carolina, USA
South Dakota Art Museum, South Dakota State University, Brookings, South Dakota, USA (image reproduced in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, 2008, p. 191)
Memphis Brooks Museum of Art, Memphis, Tennessee, USA
Blanton Museum of Art, University of Texas at Austin, Austin, Texas, USA
Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah, USA
Robert Hull Fleming Museum, University of Vermont, Burlington, Vermont, USA
Mississippi Museum of Art, Jackson, Mississippi, USA
Yellowstone Art Museum, Billings, Montana, USA
Marjorie Barrick Museum, University of Nevada Las Vegas, Las Vegas, Nevada, USA
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, USA
Plains Art Museum, Fargo, North Dakota, USA
Akron Art Museum, Akron, Ohio, USA
Oklahoma City Museum of Art, Oklahoma City, Oklahoma, USA
University of Wyoming Art Museum, Laramie, Wyoming, USA (image reproduced in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, 2008, p. 227